Our Story
Michael Alexander Davico
Alex’s connection to East Africa runs three generations deep. He took his first steps in the Serengeti and was raised between rural Naivasha, Kenya,and Tanzania, while his mother worked as a wildlife filmmaker. Growing up among lion researchers, bush pilots, filmmakers and conservationists—including his godmother, renowned elephant researcher Cynthia Moss—shaped a lifelong devotion to the natural world.
Years of leading safaris have also honed Alex’s skills as a wildlife photographer. He knows which equipment to reach for, but more importantly, when to slow down and wait for a story to unfold—a philosophy that informs his approach to guiding as much as photography. His work has taken him across some of Africa’s most remarkable landscapes, with experience spanning mountain guiding, diving, horseback safaris, desert expeditions, wildlife rehabilitation and monitoring, safari camp management, community training and field operations.
A conservationist at heart, Alex is passionate about sustainable tourism and the role meaningful travel can play in protecting wild places. He believes the best safaris reveal a landscape as a living, interconnected system, helping guests see the relationships between predator and prey, people and wildlife, culture and climate. His approach combines storytelling, curiosity, and a strong sense of place with an equally important sense of humor.
When not on safari, Alex can usually be found riding horses or motorcycles, rock climbing, mountaineering, or scuba diving. He also has a particular fascination with snakes.
Photo gallery
What's in My Camera Bag
My packing philosophy is quite simple: only carry what you are likely going to need. I usually have my Canon 70D paired with a 150–600mm zoom lens for close-ups, birds and animals further away. My Canon R6 MK II is set up with a 50–200mm lens, giving me the flexibility to quickly switch to landscapes, portraits or wildlife that comes closer.
I also try to keep things as light and simple as possible. Sometimes I’ll take just my 150–600mm lens and stick with one camera. That way, I’m not thinking about changing lenses or cameras and can stay focused on what’s happening in front of me.
Cameras
Canon EOS R6 MK II
Canon 70D
Sony Alpha a700
Lenses
Canon 24-105
Canon 150-600 f/5-6.3
Canon EFS 55-250 f/4-5.6
Sony 16-80
Sony 75-300 f/4.5-5.6
Sony 100-300 f/5.5-5.6
Minolta 100-400 f/4.5-6.7
Other
Go Pro hero 10 Black with waterproof case
160 GB memory cards
Charger + extra batteries
Cleaning kit
95mm UV shield